She had great potential. From these painting and drawings, you can tell she was just starting off and with more years of training could have been one of the greats like many in her time. =)
Simply wish to say your article is as astounding. The clearness
in your post is simply great and i could assume you are an expert on this subject.
Well with your permission let me to grab your RSS feed to keep updated with forthcoming post.
Thanks a million and please carry on the enjoyable
work.
I’m doing a research project/paper on models in the 19th century and their relationship to the English-Italian artistic exchange in that time period; and thus have been looking at Siddal and Rossetti’s relationship. Does anyone have any thoughts on which particular Siddal pieces she used Rossetti as a model for?
Clara Siddall
Clerk Saunders
Eve of St. Agnes
The Holy Family
Lady Clare
Lady Affixing a Pennant, also titled as Before the Battle
The Ladies’ Lament
Lovers Listening to Music
Macbeth
Pippa Passes
Self Portrait (pencil)
Self Portrait
The Lady of Shalott
Study for Nativity
Sister Helen
The Quest of the Holy Grail
The Rowing Boat
The Woeful Victory
She had such talent. A subtle use of colours and a good line.
I especially love The Quest for the Holy Grail. And it’s obvious she used Dante Gabriel’s features as much as he used hers 🙂
Really fascinating works
She had great potential. From these painting and drawings, you can tell she was just starting off and with more years of training could have been one of the greats like many in her time. =)
I agree!
Simply wish to say your article is as astounding. The clearness
in your post is simply great and i could assume you are an expert on this subject.
Well with your permission let me to grab your RSS feed to keep updated with forthcoming post.
Thanks a million and please carry on the enjoyable
work.
Regards,
I’m doing a research project/paper on models in the 19th century and their relationship to the English-Italian artistic exchange in that time period; and thus have been looking at Siddal and Rossetti’s relationship. Does anyone have any thoughts on which particular Siddal pieces she used Rossetti as a model for?