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W.M. Rossetti article from The Guardian Archives:

Thank you to Cathy Baker of Gather Ye Rosebuds while ye may for bringing this to my attention.

Originally published in Manchester Guardian on 29 March 1904.   William Michael Rossetti starts off with the intention of setting the record straight that John Ruskin did not “set Pre-Raphaelitism going”.   Excerpt below, click here to read the entire article.

It is quite a mistake to suppose that Ruskin set Pre-Raphaelitism going. The Pre-Raphaelite Brotherhood was formed in the early autumn of 1848. I need only mention three of the members – Millais, Holman Hunt, and my brother, Dante Rossetti. I am sure neither Millais nor Rossetti had in 1848 any acquaintance with Ruskin’s books. Holman Hunt may perhaps have known something, but if there was one young man in the painting profession resolutely disposed to act upon his own perceptions and views, and not upon those of other people, that man was Holman Hunt.

William Michael Rossetti

John Ruskin

Letter from Rossetti to his brother while his pupil uses his studio

In 1853, while Lizzie was known as Gabriel’s pupil, she painted in his studio while he was visiting the Scott (William Bell Scott)  family in Newcastle-on-Tyne.  Gabriel mentions this in a letter to his brother, William Michael Rossetti.  I believe that this was when Lizzie painted her only self portrait.  If you look at all of the drawings Gabriel made of Lizzie, I’m sure you’ll find her self portrait significant in that she actually seems to make eye contact with the viewer.  She also has depicted herself in a less glamorized form than any of the Pre-Raphaelites that painted her.

Her self portrait:

The letter by Gabriel:

Newcastle-On-Tyne.20 June [1853].
My Dear William,

I have been here since Friday, and do not exactly know what I mean to do. Let me know what your moves are to be, how long your holiday is, etc., in case we should be able to combine at all—and whether you have any plans about the rent, which is due on the 24th. I think I shall not stay here long, as I find the general stagnation too like the spirit of Banquo, except for a strenuous dog, from whom also I suffer much. David Scott is a tremendous lark.

I want to tell you that Lizzy is painting at Blackfriars while I am away. Do not therefore encourage any one to go near the place. I have told her to keep the doors locked, and she will probably sleep there sometimes.

Tell me any news; I have none to tell. I suppose you are probably at Frome. . . .

I have heard several of Scott’s poems, some very fine, and am going to do the etching for his Rosabell, as I proposed. By-the-bye, I mentioned to him that affair of The Artist, and that they would have etchings; that Brown was doing one, etc.; and he asked me yesterday whether I thought it could be managed to get them to buy some of those Commonwealth etchings of his. They are really very good, but I do not know whether you could mention it at any time. You will know best.
Your affectionate Brother,
D. G. Rossetti.

I suppose, if you write to me here, it can be sent on in case I have left.