Artist William Holman Hunt wrote this account of Lizzie Siddal’s discovery:
“Rossetti at that date had the habit of coming to me with a drawing folio, and sitting with it designing while I was painting at a further part of the room…Deverell broke in upon our peaceful labours. He had not been seated many minutes, talking in a somewhat absent manner, when he bounded up, marching, or rather dancing to and fro about the room, and, stopping emphatically, he whispered, “You fellows can’t tell what a stupendously beautiful creature I have found. By Jove! She’s like a queen, magnificently tall, with a lovely figure, a stately neck, and a face of the most delicate and finished modelling: the flow of surface from the temples over the cheek is exactly like the carving of a Phidean goddess…I got my mother to persuade the miraculous creature to sit for me for my Viola in ‘Twelfth Night‘, and to-day I have been trying to paint her; but I have made a mess of my beginning. To-morrow she’s coming again; you two should come down and see her; she’s really a wonder; for while her friends, of course, are quite humble, she behaves like a real lady, by clear commonsense, and without any affectation, knowing perfectly, too, how to keep people respectful at a distance.”
Walter Howell Deverell
